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テンテンコ(Tentenko) - Deep & Moistures(CD)
テンテンコ(Tentenko) - Deep & Moistures(CD)
『テンテンコひとり遊戯』 自主レーベル作品から選りすぐった14トラック! ジャンルや空間を自在に往来する愛らしきエレクトロ・ノイズ・ミュータント”TENTENKO”。 ライヴ会場や通販で発表してきた自主制作CD-R作品中でシリーズ化した「Deep & Moistures」から、選りすぐりトラックをテンテンコ本人と佐藤薫がコンパイル! 100%ハンドメイドの風合いと、どこかユーモラスでヒューマンなタッチが大きな魅力だ。無尽蔵のアイデアと無邪気なチャレンジ精神が伝わる全14トラック(含未発表曲) 令和元年のトップを飾るCDリリースの1枚は、新時代のミュータント・ポップを体現するテンテンコによる「Deep & Moistures: The Best of Private Tracks」だ。自主レーベル(テンテン・レコーズ)から毎月発表してきたプライベート作品のCD-Rは、これまでに約50枚のコレクションを形成しているが、中でも15枚以上のシリーズとして人気の高い”Deep & Moistures”から選りすぐった13トラックに、未発表曲を加え全14トラックがコンパイルされたのが本アルバム。鋭い重工業ビートで脳髄に切り込んでくるかと思えば、鼓膜をスルーしたノイズで内臓を刺激したり、人懐こくキャッチーなリフで急所をくすぐる……。歌メインのテンテンコ名義作品やライヴとは異なる趣の収録曲たちは、カシオトーン、リング・モジュレーター、オシレーター、サンプラー、ポータブル・シンセ──などの機材を自ら操って作られ、自宅スタジオで録りためたトラック、ライヴやイベントのために制作した作品などから構成されている。テンテンコの、宅録とライヴの現場というスペースを自由に往き来する活動スタイルと、アーティストとしての柔軟な姿勢が表現された”一家に一枚”の決定盤だ! 『日々変化する”テンテンコ”のイメージの中で、湿っていて深層心理を探る、ひとつ確率された自分。音楽と向き合うための時間と場所。それが「Deep & Moistures」です』 ……TENTENKO 『奇妙な響きと重さ、時に歪を持つこれらの楽曲群が、私には心地よく、切なくも楽しげに聴こえる』 ……伊東篤宏 テンテンコ: 惑星上で最も愛らしいエレクトロ・ノイズ・アイコン──TENTENKO (テンテンコ)。1990年生まれ。北海道出身。身長142cm。 2013年アイドルグループ ”BiS” に加入。2014年のBiS解散とともにフリーランスとして活動開始。歌モノ中心のアイドル的スタイルから、トラックメーカー/DJや電子楽器プレーヤーとして、また伊東篤宏とのユニット”ZVIZMO”での演奏など、様々なフィールドでの活躍をみせる。「90年代からの日本の”インディー霊”を全て背負っている。ヴァリエーションに富んだアヴァンギャルド表現者」などと評され、ジャンルや空間を自由に行き来し聖域なき活動を行っている。
¥ 2,200
V.A. - FLOWERS IN CONCRETE -COMPILATION FOR SOUP-(2CDs)
V.A. - FLOWERS IN CONCRETE -COMPILATION FOR SOUP-(2CDs)
Disc 1 01.Aaron Dilloway "Flesh Falls Away" 02.Being "Lawson" 03.Daniel Menche "Frequency Scraper" 04.Fecalove "Drinking gallons of sweat with shochu" 05.Kiran Arora "Split Neck" 06.Lasse Marhaug "Live at Soup (edit)" 07.Leah P "Slogger" 08.Matmos "GET RHYTHM SOUP MIX" 09.Purgist "Neon Flare" 10.Shredded Nerve "Game of Chance (A Moment Between Life and Death)" 11.SICKNESS "C19-S" 12.Torturing Nurse "2 SOUP" 13.Unsustainable Social Condition "Soap" 14.VOMIR "Untitled for Soup" Disc 2 01.BLACKPHONE666"deaf and dumb" 02.GC SKULL ELECTRONICS"Seibu Chuo Blasphemy -reprise-" 03.Government Alpha"Inscrutable Impatience" 04.Kazuma Kubota"Melodie en Sous-sol" 05.Kazumoto Endo"Immune To Fear" 06.LIKE WEEDS"People Like Us" 07.Linekraft"consume to feed a hunger" 08.P.I.G.S".W.A.R". 09.PAINJERK Wracked and Ruined "See you soon guys" 10.scum "IL hallucination" 11.shikaku "Apathy" 12.T.Mikawa & John Wiese "SP1520" 13.Wolf Creek "Feeling of Imperative Stimmen" Bandcampや各種音楽ニュースサイトで話題の国際ノイズ・ミュージック・コンピレーション! 世界中の先鋭的アーティストがこぞって出演し愛される新宿落合のスペース「Soup」。 コロナウィルスの影響下で営業困難になっている本会場を支援するために過去出演経験のある国内外の新旧アーティストが集結! 実験音楽/ノイズ界の世界的名匠から若手ユニットまで巻き込んだ2枚組CDは最新のノイズミュージックレポートでもあり今ノイズを聴きたいリスナーの入門盤としても最適。 マスタリングエンジニアはNobuki Nishiyama、そしてブックレットにはあのWilliam Benett(WHITEHOUSE/CUT HANDS)執筆によるライナーノーツ掲載! “私が長年にわたって聴いたなかで、最も優れたサウンド・ドキュメントの一つである。" by Eric Wood-BASTARD NOISE Ochiai Soup is much more than a live venue. It is true enigma of safe haven for sound from all over the world to find comfort, pulverizing solace and focus. To those dreaming of playback reproduction accuracy and perfect dynamic range, it is "heaven on earth" to say the least. I have personally experienced this bliss and stress that this is the time like no other when we must rise up together in support of such a priceless institution such as Soup. "Flowers in concrete" (a compilation for Soup) is an astounding, exclusive collection of customized compositions from Japan and international based artists that have come together to do what is right : HELP THIS PRICELESS VENUE ! Disc One (Side International) immediately blindsides with 14 stunning pieces. A variety of sonic approaches which NEED TO BE EXPEIENCED to be believed ! Standouts include BEING (my personal favorite), AARON DILLOWAY, SICKNESS, PURGIST and DANIEL MENCHE however ALL the artists on the first disc offer their own tailor made visions of challenging audio assembly. Exemplary work here by all and highly recommended listening. You can sense everyone took their time strategically and explored their own capabilities ! Disc Two (Side Japan) truly goes for "the creative and imaginative throat" with the most "next level" spectrum sound dynamics artist to artist. The BLACKPHONE666 and GC SKULL ELECTRONICS selections are utterly mind-blowing power. Each of these artists has truly defined themselves beyond description and the gradual maturity of each is critically evident. Top notch material also by GOVERNMENT ALPHA, KAZUMA KUBOTA, KAZUMOTO ENDO, LIKE WEEDS, PAIN JERK, LINEKRAFT, and the phenomenal SCUM really keep things colorized and transcending texturally and with pleasurable agonizing force ! Additional standout Wolf Creek just terrorizes the listener with their closing piece "Feeling of Imperative Stimmen". Excellent vision and attack to be sure. Easily one of THE BEST sound documents I have heard in many, many years ! To be sure, this could become a "book" if I were to discuss in detail all of the contributors here and go into their deep histories as artists and performers but the final word is HELP. HELP for Soup ! This is a massive undertaking of a release and every track within it is a potent "elixir" of individual, untainted expression. Let us all see the light at the end of the tunnel. HELP SOUP. BUY THIS INCREDIBLE RELEASE AND SET YOUR MIND ON FIRE. WOOD/BASTARD NOISE October 31st, 2020
¥ 2,200
Slaves No More ‎– The Unravelling(2CD)
Slaves No More ‎– The Unravelling(2CD)
Sutcliffe Jugend活動終了後メンバー構成は同じくにしての新ユニットSlaves No Moreの2020年作2枚組アルバムがSJラストアルバムをリリースしたシンガポールのレーベル4iBから着弾。 SNMではパワーエレクトロニクスを超え更にボイスやメロディ、コードの可能性を追求し始めたと言えます。シアトルカルさもあり素晴らしい〜!300枚限定。 'The Unravelling'は、Sutcliffe Jugendの新しいアーティスティックな方向性を正式に切り開いた初のリリースとなる。このダブルアルバムは、彼らの音楽的な旅の継続性を示すものであり、ケヴィンとポールの創造的なビジョンとソニック的な実行を永続させている。 10曲のトラックの成熟度とプログレッシヴな性質は、複雑に重ねられたサウンドスケープと、"スコット・ウォーカー風 "のバリトンとソプラノのパートを特徴とするヴォーカルの新次元の音域によって、圧倒的に表現されています。決まりきった同調性の回避と珍しい音の実装、さらに暗い歌詞と微妙に激しいボーカルの美学が、これらすべてを「キャラクターの "解明 "に欠かせない」ものにしている。 SLAVES NO MORE is the new project of Kevin Tomkins and Paul Taylor. SNM was conceptualised some time ago and incepted right after the decision to end Sutcliffe Jugend and its official announcement made at the end of 2019. ‘The Unravelling’ is the inaugural release that officially paves the new artistic direction of Sutcliffe Jugend. This double album marks the continuity of their musical journey, and perseveres in the creative vision and sonic execution of Kevin and Paul. The maturity displayed in the 10 tracks and its progressive nature are dominantly presented through complex layered soundscapes and new dimensions of vocal ranges that feature ‘Scott Walker-esque’ baritone and soprano parts. The avoidance of cliched tunefulness and implementation of unusual notes, further accompanied by dark lyrics and subtly intense vocal aesthetics make all of this “essential to the ‘unravelling’ of the character“. Label:4iB Records ‎– 4iB 2CD/0120/046 Format:2 × CD, Album, Limited Edition Country:Singapore Released:14 Apr 2020
¥ 1,760 SOLD OUT
Autopsia ‎– In Vivo(CD)
Autopsia ‎– In Vivo(CD)
https://autopsia.bandcamp.com/track/lebensherrgabe-1983-2 https://autopsia.bandcamp.com/track/his-secret-sin-1984 https://autopsia.bandcamp.com/track/ignis-1984 80年代から活動するロンドン発旧ユーゴ経由現プラハ拠点の音楽と映像制作のアートコレクティヴ。これまでにStaalplaat、Hypnobeat、Old europa cafeなどから数十枚もの作品を発表している。 本作は曇ったシンセと煙たいインダストリアルビートで構成されたボディっぽさもある実にいい具合なアルバム。クラブで聴きたい。 Autopsia is a depersonalized art project dealing with music and visual production. Autopsia gathers authors of different professions in realization of multimedia projects. Its art practice began in London in the late '70s of the last century, and continued during the '80s in art centers of the former Yugoslavia. Since 1990, Autopsia acts from Prague. At the beginning of its activity, Autopsia issued a dozen of MC's, in the period after 1989, twenty CDs were issued, at first for Staalplaat from Amsterdam, then for German label Hypnobeat and London's Gymnastic Records. Autopsia's music can be found on numerous compilations issued all over the world. One of its compositions is a part of the soundtrack for Peter Greenaway's film "Pillow Book". Music production of Autopsia is associated with a large graphic production which consists of original graphic objects, design of flyers, booklets, CD's and a web page autopsia.net, with its offsprings: Autopsia TV and Illuminating Technologies. Label:Death Continues Records ‎– DCRCD009 Format:CD, Compilation, Limited Edition, Remastered Country:Belgium Released:14 Jul 2016
¥ 1,540
Shinkiro – Archive: Volumes I - III (2CD)
Shinkiro – Archive: Volumes I - III (2CD)
Sample https://oldcaptain.bandcamp.com/track/reflections-of-her-deepest-fears-first-stage 日本のアーティストManabu Hiramotoにより2003年より活動するダークアンビエントプロジェクト。2003-2007の音源"I.A.D.""Reflections Of Her Deepest Fears" "One"の3タイトルをリワーク、リマスタリングした2枚組再発盤。限定250枚。 妖しいシンセアルペジオや不明瞭なボイスを効果的に用いつつ時にスタティック&ドローンな展開で自己内面に深く没入していくようなディープアトモスフェリックサウンド。 Shinkiro is a dark ambient project from Japan, formed in 2003 by Manabu Hiramoto who dwells in organic isolation full of pulsating drones and elegiac solaris ambiances. Based on the old recording sessions in 2003 - 2007 this release captures the darkest and most beautiful moments of Shinkiro’s music: low-key synth textures merged with rhythmic cadences and slight distortions gradually unfolding roaming melodies, magnetic and cold undercurrents, ethereal epiphanies and ever present longing for the unattainable abyss. Three early unreleased albums assembled for the first time together manifest thrilling, oneiric and existentialist nature of Shinkiro’s nature exposed in its dark and cinematic mosaic: Japanese voice samples blended with strained piano parts, machinery industrial noises, ominous drones, ritual percussion, hypnotic hardware pads leading to the event horizon. Dissolve in the myriad of mysterious emanations towards colossal eschatological pleroma. Recommended for those who follow Lustmord, Apoptose. Amazing music is accompanied with an exquisite layout executed by Mauro Berchi (Eibon Records) and produced as a 2CD edition in a 4-panel gloss-laminated Digipak limited to 250. Label:Old Captain ‎– OCCD42 Format:2 × CD, Album, Compilation, Limited Edition Country:Ukraine Released:13 Jun 2018
¥ 1,200
FM Einheit* / Andreas Ammer ‎– Hammerschlag(CD)
FM Einheit* / Andreas Ammer ‎– Hammerschlag(CD)
sample https://soundcloud.com/coldspring/sets/fmeinheit-aammer-hammerschlag ノイバウテンの元メンバーFM EinheitとAndreas Ammerのコラボ作品。パーカッシブなインダストリアル要素やノイズが混じり合う。Cold Springからのリリース “Hammerschlag” – created by FM Einheit (member of Einstürzende Neubauten early 1980’s to mid-1990’s), with Andreas Ammer – features many percussive industrial elements and ‘machine music’ (chains, scraping, coiled springs, objects), noise, experimental electronics and provocative musical compositions familiar to the ears of Neubauten fans. An oratorio with prelude and two noise interludes, based on Russian futurist Aleksej Kapitonovič Gastev, the “bard of the machine age”. FM Einheit (Mufti) is an industrial and electronic musician and actor, primarily known for his percussion and compositional work with Einstürzende Neubauten, notably on the classic albums: “Kollaps”, “Halber Mensch”, “Haus Der Luege”, “Tabula Rasa” and “Ende Neu”. He played the lead role in the 1984 feature film Klaus Maeck’s “Decoder”. He has also collaborated with musicians such as: Diamanda Galás, Eraldo Bernocchi, Mona Mur, KMFDM, Goethes Erben and many more. Andreas Ammer has been creating works with FM Einheit since the early 1990’s. “Just a moment longer, and through the confused chaos of these days, the legendary realisation of the future roar of events is triumphant” (A.K. Gastev, “A Bundle of Orders”). “Hammerschlag was premiered in 2019 at the Diaghilev Festival in Perm as a live concert with Teodor Currentzis , the chief conductor of the SWR Symphony Orchestra, as Aleksej Kapitonovič Gastev. The concert served as the basis for a German-Russian radio play version. In his last lyrical work “A Bundle of Orders”, published in 1921, Russian futurist Aleksej Kapitonovič Gastev wanted nothing more than to finally destroy literature. In a historical document there is a description of a concert based on the text: “The choir master stood on a balustrade, who conducted the sound with the help of a complicated signaling device. After this noise overture had raged for long enough time to completely numb the auditorium the real passion game began”. Aleksej Kapitonovič Gastev (1882 – 1939) was a Soviet revolutionary, poet, high-ranking union activist and scientist. When he became head of the Russian revolutionary Central Institute for Work with the psychotechnical optimisation of workflows (How do I really hit with the hammer?), he swore off poetry with “A Bundle of Orders” and at the same time created his most important lyrical work . He was executed under the orders of Stalin for counterrevolutionary activities.
¥ 1,500 SOLD OUT
The New Blockaders ‎– Live At Sonic City(CD & DVD)
The New Blockaders ‎– Live At Sonic City(CD & DVD)
2017年にベルギーのコルトレイクで開催されたサーストン・ムーア主催のフェス『Sonic City』で行われたTNBのライブ音源と映像を収録。Cold Springよりリリース。 Live At Sonic City includes an audio / visual document of TNB's last ever live performance which took place at the Thurston Moore-curated Sonic City festival in Kortrijk, Belgium in 2017. Fans of Noise music will need no introduction to the work of TNB. Ron Lessard, of legendary US Noise label RRRecords, once stated, "I'd give the nod to TNB as being the first truly devoted Noise artists". TNB served as a major influence on legendary Noise pioneers such as Merzbow and their influence on the current crop of popular crossover Noise artists such as Wolf Eyes is immeasurable. TNB's performance at Sonic City can best be described as a noise symphony: metal-bashing and grinding, hammering, eviscerating microphone feedback, torrents of glorious mangle and harsh electronics all skilfully blended with a collage of manifold sounds and dynamics. Far from being a typical Noise show, TNB's performance (if it can be described as such) contained elements of absurdist theatre and performance art, although I’m sure TNB would be loathe to be described as such. A magnificent display of The Art Of Noise, TNB as defiant as ever in their total rejection of everything. "For optimal enjoyment we recommend that this DVD be viewed with no sound". CD and DVD in 6-panel digipak. Label: Cold Spring ‎– CSR261CD Format: CD, Album DVD, DVD-Video Country: UK Released: 11 Mar 2019 Genre: Electronic Style: Noise, Industrial, Experimental
¥ 2,100 SOLD OUT
SPK ‎– Zamia Lehmanni (Songs Of Byzantine Flowers)(CD)
SPK ‎– Zamia Lehmanni (Songs Of Byzantine Flowers)(CD)
sample https://soundcloud.com/coldspring/sets/spk-zamia-lehmanni 1986年にSide EffectsからリリースされたSPKのラストアルバムがリマスターされCold Springから再発!SPKの首謀者 Graeme Revellの新たに書き下ろされたライナーノーツ付き。 Originally released by Side Effects in 1986, “Zamia Lehmanni” was the third (and final) core SPK album and was Graeme Revell’s first truly solo project. He was in a period of transition, somewhere between the industrial noise of the early years and his later award-winning soundtrack work. On the day before this was first released, this style of music, now ubiquitous (especially in soundtracks), did not exist. After “Information Overload Unit” cleared a space for subsequent explorations, and the environmental percussion and anchored mutilated sound collages of “Leichenschrei”, the “body without organs” was fully eviscerated. Graeme felt ‘industrial music’ was becoming ossified and needed to be taken into radically new territories: ‘post-industrial’. The track “In Flagrante Delicto” (mastered as originally intended here) was later used by Revell for his work on the soundtrack for the 1989 film “Dead Calm”, which won him Best Original Score from the Australian Film Institute. Unavailable in any format since Mute’s 1992 CD edition, we now present this landmark album on newly remastered CD, and on vinyl for the first time since 1986. Approved by Graeme Revell, this release comes with new artwork by Abby Helasdottir and is remastered by Martin Bowes (The Cage). CD in a 6-panel digipak. The track “The Doctrine Of Eternal Ice” appears on CD only. Features new liner notes from Graeme Revell, 2019.
¥ 1,500 SOLD OUT
Z'EV - 'HEART BEAT EAR DRUM' (DVD)
Z'EV - 'HEART BEAT EAR DRUM' (DVD)
伝説のインダストリアルアーティストZ'EV(1951-2017)についてのEllen Zweig監督の長編ドキュメンタリー。Cold Springよりリリース。 "Heart Beat Ear Drum" is a feature length documentary about the late artist and musician Z'EV (1951-2017), known for his punk era scrap metal music - an extraordinary range of acoustic phenomena resulting in trance-inducing sounds. This documentary shows how his music changed and grew and how his personal journey led him to the margins of art and the depths of heart. From 2007-2015, director Ellen Zweig followed Z'EV, shooting concerts and interviews, and collecting archival footage. In addition to interviews with Z'EV, there are interviews with a community of artists who have known him since the 1970's, curators who have encountered him in the 1990's, and younger people who have only heard his recorded music or read his philosophical texts (Bob Bellerue, Bow Gamelan Ensemble, HATI, Barbara Stevini, Simone Forti, Zach Layton, Carl Stone, Ned Sublette, Johanna Went and more). Z’EV began with a "wild style", crashing and throwing pieces of metal to make sound. He collected the materials for his art at scrap yards. 30 years later, almost all the scrap yards are closed. Z'EV now uses mallet percussion to explore acoustic phenomena. Z'EV was a crusader: for art, for trance meditation, and for living a thoughtful life. His found object aesthetic made us see art in all of the objects around us. His art activities included drumming, sculpture, gardening, even cooking. This film is divided in chapters and organised with both a narrative and a digressive structure. The structure is topic based, not strictly chronological. The first half of the film uses archival concert footage and interviews to establish Z'EV's place in the world of art and music. The second half uses contemporary concert footage and interviews to explore the changes that led Z'EV to a more contemplative style. The film ends with an extended concert. There is music throughout the film, but at the end, you are immersed in the music and in Z'EV's exploration of resonance. Director: Ellen Zweig
¥ 2,000
THROAT ‎– Bareback (Stripped & Remasked) (2CD)
THROAT ‎– Bareback (Stripped & Remasked) (2CD)
Sample https://ihatethroat.bandcamp.com/track/no-hard-shoulder-himukalt-remix https://ihatethroat.bandcamp.com/track/maritime-like-weeds-remix フィンランドのレーベルKaos Kontrolの主催者Jukka Mattilaのノイズ・ロックバンドTHROAT。 2ndアルバム『Beard』(Svart Records、2018年)のリリースから2年、世界のノイズ/インダストリアル・シーンから招いた超豪華かつ前代未聞なアーティスト陣にスタジオ・トラックを分解/破壊/アレンジさせるという2枚組リミックスアルバムが登場。 ノイズ界の大御所Sshe Retina Stimulants、Lasse Marhaug、Black Leather Jesus, や日本からはGovernment Alpha,Like Weeds, Linekraft,Kazuma Kubotaが参加している他、Himukalt, Deison, Vanhala, Heat Signature, Concrete Mascara, Erratix, Niku Daruma,Jarl and Keränenなど「え、このアーティストリミックスとかやるの?」的なメンツでそのコンセプト自体でもう面白い。内容もそれぞれのアーティストが個性を生かし己の世界観とTHROATのサウンドを融合させてリミックスともセッションとも言える独自の解体再構築が各々に感じられる。その中でも全くブレないKazuma Kubota節には驚きました。 フロントアートワークが特殊加工でプリントされた6パネル紙ジャケット仕様で所有欲を掻き立てられる良作。 As a result, "Bareback (Stripped & Remasked)" contains a remixed version of the original album - not just once, but twice! The result is a wild ride of sonic madness ranging from brutal harsh noise to more experimental industrial sounds and everything in between. Simultaneously presenting completely new material from the artists involved and Throat paying homage to influential genres of sound not necessarily so obvious in their usual material. Label:Kaos Kontrol ‎– K\K 033 Format:2 × CD, Album Country:Finland Released:11 Sep 2020
¥ 1,880