PAINJERK - MISSION INVISIBLE / KILL THE POOR |(2xLP)
日本最速入荷！通常盤ブラックヴァイナルエディションです。 hospital productions is proud to announce the unreleased would be classic from japanese noise hero painjerk. originally recorded immediately after the canonical ‘gallon gravy’ classic, this is pure - definitive - loop heavy noise energy and dynamism that would become the signature of kohei gomi’s electronic studies having influenced two generations of underground electronics since. hailing from a background of japanese punk, kohei gomi stayed true to the fierce ethos of independence and experimentation that reached its peak in japan in the late 90’s. but make no mistake, mr. gomi never stagnated into a single platform, having worked with such diverse labels as as alternative tentacles, relapse, editions mego and so on. composed with a mysterious configuration of constantly flowing noise hardware - always recorded live without overdubs, gomi went on to risk taking computer explorations into the roots of avant garde compositions inspired by the likes of pan sonic and david tudor. having reached cult status and maintaining an air of mystery after an onslaught of now classic and highly collectible tape only releases such as the monstrous ‘cacophony of a thousand pleasures’ 3xcs which has been cited as an influence for mika vainio. never settling for stale genre collaborations, kohei gomi further went on to such divergent ends as the insane collaboration with russell haswell, psychedelic commune pioneers smegma, and power violence royalty bastard noise. we are blessed to finally have such a critical document unleashed onto the world of what 20 years on can easily sit alongside the classics of its day. raise a fist in solidarity for the inimitable punk noise of painjerk! 2x lp clear yellow vinyl with black splatter. double wide spine jacket with metallic printing. includes digital download code.
¥ 4,200 .
PAINJERK – Neurotten(LP)
日本最速入荷！ Kohei Gomi began experimenting with home recording in the 1980s and got so lost in extreme sonics under the Pain Jerk moniker that his output inevitably spilled out into the wider world. By the mid-90s, he was one of the most prolific and influential noise units operating out of Japan, hurling maelstroms of chaotic chunder and deranged grime at anyone who could handle the extremes. Pain Jerk became one of the leading figures in the "dynamic" style of Japanese noise or Japanoise and is also the owner of the noise tape label AMP that during the 90s releases about fifty cassettes of his amazing noise project. Among his works released in his most prolific period, Neurotten stands out without a doubt, reaching cult status and instantly becoming a classic of the genre. Recorded in 1996 and published the same year on the legendary Slaughter Productions by Marco Corbelli aka Atrax Morgue, in only 80 hand numbered copies in a special A5 tin-foil sleeve with translucent insert and instead some using a red cardboard insert accompanied by a small curved iron rod, similar to a dentist's tool and now it has become a worship object for the most avid collectors. The assault here is very high-end heavy: relentlessly aggressive. The sound severs and bleeds more than it beats and bludgeons. Side A is divided into two tracks, Gushcore and Teen-Wreckage, of incredible beauty. Nothing compares to the sounds emitted by vinyl grooves composed with a mysterious configuration of constantly flowing noise - always recorded live without overdubs. Devastating, unfriendly harsh noise: the hardest rock that is pierced by the sharpest diamond! With only one track on side B, which takes 23 minutes, we encounter one of most iconic compositions from his wide discography: Disembowel. Hearing impaired volumes that duel, bouncing sound structures displacing the ego and generating many difficulties in brain processing. There’re a lot of rips and chaos, pulsating pulses of recycled transient sounds and some loops, muffled high tones that twist into spastic shapes capable of breaking the faint speaker cones. This rare gem is restored and remastered from the original DAT master by Nobuki Nishiyama and reissued for the first time on vinyl in just 299 copies with new artwork by Koichi Nagura and an original drawing by Yukou Suzuki. Absolutely incredible and a complete revelation from start to finish, before us lays yet another crucial piece in the puzzle to emerge from this astounding world of noises. It would be impossible to recommend it enough!
¥ 2,700 .
V.A. - FLOWERS IN CONCRETE -COMPILATION FOR SOUP-(2CDs)
Disc 1 01.Aaron Dilloway "Flesh Falls Away" 02.Being "Lawson" 03.Daniel Menche "Frequency Scraper" 04.Fecalove "Drinking gallons of sweat with shochu" 05.Kiran Arora "Split Neck" 06.Lasse Marhaug "Live at Soup (edit)" 07.Leah P "Slogger" 08.Matmos "GET RHYTHM SOUP MIX" 09.Purgist "Neon Flare" 10.Shredded Nerve "Game of Chance (A Moment Between Life and Death)" 11.SICKNESS "C19-S" 12.Torturing Nurse "2 SOUP" 13.Unsustainable Social Condition "Soap" 14.VOMIR "Untitled for Soup" Disc 2 01.BLACKPHONE666"deaf and dumb" 02.GC SKULL ELECTRONICS"Seibu Chuo Blasphemy -reprise-" 03.Government Alpha"Inscrutable Impatience" 04.Kazuma Kubota"Melodie en Sous-sol" 05.Kazumoto Endo"Immune To Fear" 06.LIKE WEEDS"People Like Us" 07.Linekraft"consume to feed a hunger" 08.P.I.G.S".W.A.R". 09.PAINJERK Wracked and Ruined "See you soon guys" 10.scum "IL hallucination" 11.shikaku "Apathy" 12.T.Mikawa & John Wiese "SP1520" 13.Wolf Creek "Feeling of Imperative Stimmen" Bandcampや各種音楽ニュースサイトで話題の国際ノイズ・ミュージック・コンピレーション! 世界中の先鋭的アーティストがこぞって出演し愛される新宿落合のスペース「Soup」。 コロナウィルスの影響下で営業困難になっている本会場を支援するために過去出演経験のある国内外の新旧アーティストが集結! 実験音楽/ノイズ界の世界的名匠から若手ユニットまで巻き込んだ2枚組CDは最新のノイズミュージックレポートでもあり今ノイズを聴きたいリスナーの入門盤としても最適。 マスタリングエンジニアはNobuki Nishiyama、そしてブックレットにはあのWilliam Benett(WHITEHOUSE/CUT HANDS)執筆によるライナーノーツ掲載! “私が長年にわたって聴いたなかで、最も優れたサウンド・ドキュメントの一つである。" by Eric Wood-BASTARD NOISE Ochiai Soup is much more than a live venue. It is true enigma of safe haven for sound from all over the world to find comfort, pulverizing solace and focus. To those dreaming of playback reproduction accuracy and perfect dynamic range, it is "heaven on earth" to say the least. I have personally experienced this bliss and stress that this is the time like no other when we must rise up together in support of such a priceless institution such as Soup. "Flowers in concrete" (a compilation for Soup) is an astounding, exclusive collection of customized compositions from Japan and international based artists that have come together to do what is right : HELP THIS PRICELESS VENUE ! Disc One (Side International) immediately blindsides with 14 stunning pieces. A variety of sonic approaches which NEED TO BE EXPEIENCED to be believed ! Standouts include BEING (my personal favorite), AARON DILLOWAY, SICKNESS, PURGIST and DANIEL MENCHE however ALL the artists on the first disc offer their own tailor made visions of challenging audio assembly. Exemplary work here by all and highly recommended listening. You can sense everyone took their time strategically and explored their own capabilities ! Disc Two (Side Japan) truly goes for "the creative and imaginative throat" with the most "next level" spectrum sound dynamics artist to artist. The BLACKPHONE666 and GC SKULL ELECTRONICS selections are utterly mind-blowing power. Each of these artists has truly defined themselves beyond description and the gradual maturity of each is critically evident. Top notch material also by GOVERNMENT ALPHA, KAZUMA KUBOTA, KAZUMOTO ENDO, LIKE WEEDS, PAIN JERK, LINEKRAFT, and the phenomenal SCUM really keep things colorized and transcending texturally and with pleasurable agonizing force ! Additional standout Wolf Creek just terrorizes the listener with their closing piece "Feeling of Imperative Stimmen". Excellent vision and attack to be sure. Easily one of THE BEST sound documents I have heard in many, many years ! To be sure, this could become a "book" if I were to discuss in detail all of the contributors here and go into their deep histories as artists and performers but the final word is HELP. HELP for Soup ! This is a massive undertaking of a release and every track within it is a potent "elixir" of individual, untainted expression. Let us all see the light at the end of the tunnel. HELP SOUP. BUY THIS INCREDIBLE RELEASE AND SET YOUR MIND ON FIRE. WOOD/BASTARD NOISE October 31st, 2020
¥ 2,200 .
V.A. – Music Should Hurt(CD)
90s-00s米ノイズの巨匠SKINCRIMEのPatrickが運営するSELF ABUSEから1996年入りリースされたV.A.当時国際的に活動していた様々なノイズユニットが参加している当時もの資料として良い音源。90sリバイバルが始まった近年でもあるしここは一つチェックしてみては。 Label:Self Abuse Records – SAD-05 Format:CD, Compilation Country:US Released:1996 Tracklist 1 –Smell And Quim* Pervertual Reality 6:20 2 –Merzbow Pretties For You 6:16 3 –K2 Desmoplakin For Crash 5:54 4 –Bacillus Progressive Areas Of Necrosis 2:14 5 –Daniel Menche Shafted Stingray 6:19 6 –OVMN Storm Leather Kaori Candyland (She Crushes My Mind) 7:13 7 –Evil Moisture Compressed Air Hostess, Scud Squad, Ear Bomb 5:07 8 –Third Organ* Yagamania Part 7 6:03 9 –Bacillus Subcutaneous Infection 2:01 10 –Hyper Ventilation Catalepsy 5:54 11 –Iugula Thor* Physical Abuse 3:38 12 –Pain Jerk Hurtness 5:49 13 –Macro Beaulieau That Didn't Hurt One Little Bit 3:09 14 –Killer Bug Brain Police Besieged Parkside Corp. 5:37 15 –Hanged Mans Orgasm Strangulation Fetish 5:39 16 –Unknown Artist Untitled (That Didn't Hurt One Little Bit) 1:24
¥ 1,650 . SOLD OUT
V.A. – 10時間 / Ju-Jikan: 10 Hours Of Sound From Japan(2CDs)
In 2001, the San Francisco sound-arts organization 23five and the San Francisco Museum of Modern Art copresented Ju-Jikan — a ten hour ‘listening event’ documenting the past 50 years of Japanese experimental music. The curators of Ju-Jikan Atau Tanaka, Ryoji Ikeda, and Shunichiro Okada did not intend their exhibition to be a comprehensive encyclopedia of Japanese experimentation; rather they sought “to trace the complex web of sonic style that constitutes the current Japenese musical landscape.” Tanaka, whose lucid writings are found within Ju-Jikan’s liner notes, takes great care in describing the contradictions and unspoken connections that linger not just within the niches of Japanese audio experimentation but also throughout all of Japanese culture. Just as technology and electronics are the lone assimilating factors within the broad scope of Ju-Jikan, these same tools also gave the possibility for separation from the West and from each other to create a wealth of new languages. While the ten hour ‘listening event’ at SFMOMA spanned 5 decades of historical recordings, the double CD centers upon the last decade, as a means to publish previously unreleased work from many of featured arrtists. All of the artists with Ju-Jikan (both the 2CD and the SFMOMA listening event) draw from the recombinant power of electronic synthesis and the juxtaposition of disparate styles; which together have become a standard if elusively-defined musical vocabulary for Japanese music. Tanaka, Ikeda, and Okada offered convenient catagories (computer music, anti-academic movements, noise, anti-pop permutations, ambient fields, after improvised music, etc.) as ports of entry; however, they point out that many Japanese experimental artists refuse to paint themselves into an aesthetic corner. Ju-Jikan’s CD companion features compositions from Tamami Toro, Pain Jerk, Yasunao Tone, Nerve Net Noise, Otomo Yoshihide, Atau Tanaka, i.d., Masonna, Kozo Inada, Ichiro Nodaira, Hanatarash, Yuji Takahashi, Ryoji Ikeda, Merzbow, Kazuo Uehara, Astro, and Testuo Furudate. Label:23five – 23F/SFM 901, San Francisco Museum Of Modern Art – 23F/SFM 901 Format:2 × CD Country:US Released:2002
¥ 2,200 .
Pain Jerk / John Wiese – Nerima(CD)
日米実験音楽/ノイズミュージシャンのコラボ2010年作。 Two titans of noise, Pain Jerk (aka Kohei Gomi) and John Wiese, continue their trans-Pacific affairs. While the previous episodes have been mail collaborations with Mr. Wiese at the helm, this studio live session has a more distinct Pain Jerk flavor to it (and is a tasty aperitif for his yet-to-appear new studio material). A vivid amalgam of vintage analog synthesizers, classic noiselectronics and DSP, at less than 18 minutes this brief statement in fury leaves nothing to be desired. In a world filled with filth and depravity, it is a rare pleasure to encounter such a beautiful & vibrant example of good, old-fashioned noise. This is music to soothe the soul. Label:Anoema Recordings – nocd060 Format:CD Country:Finland Released:Apr 2010
¥ 1,650 . SOLD OUT
HAIR STYLISTICS / PAINJERK / JOHN WIESE - LIVE AT SUPER DELUXE(CD)
LAFMSメンバーでもある実験音楽家/ノイズアーティストJohn Wieseの2018年の来日ツアー時にJohn本人の強い希望で実現したJohn Wiese/Hair Stylistics(中原昌也)/PAINJERKのコラボレーションライヴが本人のレーベルから音源化！なかなかない非常にレアな組み合わせの演奏です。既にレーベル廃盤。 Label:Helicopter – H 90 Format:CD Country:US Released:31 Oct 2019
¥ 1,960 .
PAINJERK – Mission Invisible(CD)
Sample https://hospitalproductions.bandcamp.com/album/mission-invisible 2019年末のHOSPITAL FESTでもその存在感を示した孤高のジャパノイズユニット、満を持してのHOSPITAL PRODUCTIONSからのリリース。 名盤GARRON GRAVYと同時期に録音され某USのデスメタルとグラインドで有名なレーベルから出る筈だったと噂の未発表音源が初の製品化！ hospital productions is proud to announce the unreleased would be classic from japanese noise hero painjerk. originally recorded immediately after the canonical ‘gallon gravy’ classic, this is pure - definitive - loop heavy noise energy and dynamism that would become the signature of kohei gomi’s electronic studies having influenced two generations of underground electronics since. hailing from a background of japanese punk, kohei gomi stayed true to the fierce ethos of independence and experimentation that reached its peak in japan in the late 90’s. but make no mistake, mr. gomi never stagnated into a single platform, having worked with such diverse labels as as alternative tentacles, relapse, editions mego and so on. composed with a mysterious configuration of constantly flowing noise hardware - always recorded live without overdubs, gomi went on to risk taking computer explorations into the roots of avant garde compositions inspired by the likes of pan sonic and david tudor. having reached cult status and maintaining an air of mystery after an onslaught of now classic and highly collectible tape only releases such as the monstrous ‘cacophony of a thousand pleasures’ 3xcs which has been cited as an influence for mika vainio. Label:Hospital Productions – HOS-656 Format:CD, Album Country:US Released:04 Dec 2019
¥ 1,960 . SOLD OUT